There’s been a real trend in recent years of feminist retellings of Greek myths. (Some personal favourites come from Pat Barker and Madeline Miller and I’ve also enjoyed the novels I’ve read from Natalie Haynes.) All of these retellings assume a basic familiarity with the Greek myths they’re tackling but most of us are not deeply familiar with the history and context of these stories, just as most of us wouldn’t be able to read them in their original language.
In Pandora’s Jar, Natalie Haynes delves into 10 different women featured in Greek mythology. She looks at the various plays and tales in which their stories are told, as well as the various retellings that have brought them into English. Many of these stories were first presented as plays (and Haynes’ enthusiasm has got me wanting to read or see some Euripedes’ plays!) but have become known to modern audiences through stories for children. Many of these retellings omit or tame down certain aspects of the story or don’t give a full context for how the original audience would have seen it. Haynes shows us where certain modern retellings have diminished the roles of these women in ways that the original storytellers never intended.
The book is written in an easy, conversational style that’s enjoyable to follow. Haynes’ passion for her subject is contagious and it was easy to see how this had translated into some of her novels. While she wrote this before her novel about Medusa, in her section about that famed Gorgon, she’s clearly working with some of the ideas that she eventually fleshed out in Stone Blind. We view these women – be it Pandora, Medusa, Jocaste, or Helen – in a certain way. But why? And whose story are we believing?
I highly recommend Pandora’s Jar for anyone with even a passing interest in Greek history and mythology.
Karissa Reads Books 