After the death of his wife, Max Morden returns to the seaside village where he spent a transformative summer as a young man. It was here he met The Graces, a wealthy family that he became quickly entwined with.
The Sea moves between the present timeline where Morden is a boarder in a house in this village, reminiscing about his wife’s death and his summer with the Grace family. He takes us back to that summer, looking at it once more with his adult memories and larger understanding of what took place that summer. Plot is a little thin as there isn’t much tension in the present time. Morden’s presence in the village is a little strange, particularly to his daughter, but he is given a fair amount of slack as someone grieving the loss of his wife. In the past timeline, we have the sense that the summer is going to end in drama, maybe tragedy. There is a building tension amongst the Grace family and in Morden’s place within it. He’s an outsider, a poorer child, who has wormed his way in amongst them in a confusing and sometimes disconcerting manner.
We see the Graces only from Morden’s perspective and so we see them as a strange family. Mr and Mrs Grace, who are not like the other adults around. Rose who is some sort of employee of the family but seems on the fringes of everything. And Chloe and Myles, the twin children. Myles is mute and Chloe is a mystery. They are strangely entwined in the way that twins always seem to be in books. Neither Chloe nor Myles seem like children who could exist in the real world. Morden is drawn to the whole family, though it is initially Mrs. Grace who pulls him in.
In fact, none of the other characters seem like they could exist outside of Morden’s mind. I don’t mean that they are figments of his imagination but that he never describes them as fully formed people. Most likely, it seems that he cannot see anybody outside of himself as a fully formed person. This feels particularly noticeable when it comes to the female characters. Morden is obsessed with Mrs Grace and then Chloe but we know almost nothing about them as individuals. We get a lot of physical description but despite spending most of the summer with Chloe, he seems to know nothing about who she is. She is this sort of ethereal, caricature of a quirky young girl who does things that Morden doesn’t understand. I found myself more and more wondering, what would this story be from Chloe’s perspective?
The writing itself is beautiful. The descriptions of place are evocative and interesting and the prose is creative and memorable. But while I could have overlooked the very light plot, I just couldn’t enjoy this book. I haven’t read Banville before so I don’t know if this is what his writing is like or just this book, but it felt like either Banville or Morden had never spent serious time getting to know a woman.
It’s ages since I’ve read anything by John Banville, but I remember loving this story and the writing. I generally relate to his humour, which sounds odd as I remember The Sea being about grief. I’m sorry you didn’t get along with it, but plenty more books in the sea – a pun that doesn’t quite come off, but you know what I mean! 😀
I really didn’t like the main character/ narrator by the end. I think the book was good at what it was trying to do but it just wasn’t for me.
That’s fair. He didn’t behave as well as he could have.
I read this a few years ago, was underwhelmed, and have forgotten absolutely all of it in the interim. It put me off reading more Banville, tbh.
It doesn’t make me want to read more of him though I know many readers love his work.
I loved it but his main characters do tend to be on the narcissistic side sometimes! I felt that it was a deliberate take on The Go-Between, and the Graces were mystical and unreal to the young Max in the way that the upper-class characters took on a mythic and god-like quality to the young Leo in it. I’m sorry it didn’t work for you, and I do think it’s quite typical of his style, so I can’t wholeheartedly encourage you to read another.
Ok, it does help to think of it that way, as though the Graces are not real. It felt like such an obviously one-sided portrayal of the girl (I’ve forgotten her name) that I desperately wanted to hear her story. Maybe if the story hadn’t been narrated by him, I could have enjoyed it more. I don’t think I’ll read more from Banville.
[…] The Sea – John Banville (Vintage International, 2005) […]
I hate to say this sounds insufferably boring 😬 Every story must give the character a motivation, even if it is to get a glass of water. What made you pick it up?
I’ve heard from readers who love Banville’s writing and he’s won awards. I’m happy to cross him permanently off my list.
[…] The Sea – John Banville […]
Virutally every paragraph has a word I never heard of—very arrogant –and I am an English teacher