
This was the fourth book I’ve read by David Mitchell and his work surprises me each time. If you’ve read Cloud Atlas then you may know Mitchell as an author who isn’t afraid to play with form. But what really impresses me about Mitchell’s novels is how entirely different they are from one another.
Black Swan Green is thirteen chapters containing thirteen stories in a year of the life of thirteen-year-old Jason Taylor. We begin in January and end in January of the following year and watch Jason’s life unfold in the village of Black Swan Green in the early 1980s.
Jason lives a fairly ordinary, middle class life with his family. His middle-management dad, housewife mom, and his older sister. Each chapter shines a light on a crucial moment or experience in Jason’s life. Sometimes this occurs over a few weeks, sometimes only a few hours.
Having never been a teenage boy in England in the 1980s, I can’t speak to the authenticity of Jason as a character but can only say that Jason’s voice as narrator feels very real. There is cadence, slang, and rhythm that feel very authentic and honest and how a boy of Jason’s age, time, and locale would speak. Jason has a stammer which Mitchell uses to show character development in a subtle manner. While the stammer doesn’t define Jason, it clearly dominates his life in some unexpected ways. Mitchell does a great job at showing how it blocks Jason’s speech and effects his interactions, particularly in school, and how it creates a distance between Jason and those around him, keeping him from sharing his true thoughts. Jason refers to his stammer as “the Hangman”. I haven’t seen a speech impediment used in fiction much before and found this fascinating.
Black Swan Green – both the book and the village – is peopled with a variety of characters. Funny, affectionate, morbid, mysterious. We get to see the same characters pop up throughout Jason’s year and as the book (and year) continues, we see some behind the scenes developments. Some of these are a part of Jason’s story while others are simply hinted at. This gives the novel a strong feeling of existing in a real world, filled with individuals who have their own lives and tales.
All together, I loved the novel. Jason is a strong character. He feels very human but with enough traits to make him an interesting one to follow for a year. And Mitchell certainly captures how truly awful being thirteen can be!
What is it that you enjoy do much about Mitchell in general? It almost sounds like not much happens in this book! I wouldn’t want a character’s stutter to be the most important thing about him.
I like how Mitchell’s not afraid to play with format. This one is more like 13 vignettes, 13 peeks into a year in the life of a kid. Overall it forms a larger picture of what his life is like. There isn’t much that happens, it’s definitely more character-driven. I wouldn’t say the stammer is the most important thing about him but it’s used to draw a sharp delineation between his outer and inner life. Like, he has all these inner thoughts and ideas but he physically can’t express them and so no one around him really knows who he is. Which is true of a lot of young people, I think, Mitchell just uses a physical aspect to demonstrate it.
[…] Black Swan Green – David Mitchell (Alfred A. Knopf, 2006) […]