The First Person and Other Stories by Ali Smith (Hamish Hamilton, 2008)
I once tried to read a novel by Ali Smith, lost interest part way in and returned it unfinished to the library. I did finish reading this short story collection but now, less than a month later, can’t remember much about it. I wanted to give Smith another try since her latest novel has gotten a lot of buzz but her writing just doesn’t grab me. This short story collection plays around a lot with narration and the art of storytelling but the stories didn’t stick with me or grab me in any meaningful way.
The Assassin’s Song by M.G. Vassanji (Knopf, 2007)
It took me a long time to get into this novel. It was probably not until two-thirds into the novel that I felt really excited to know what would happen next. I can’t say if this is a fault of the writing or on my part since I was constantly getting interrupted while reading it. It was different than any other book about India that I’ve read and I did enjoy what it showed of Indian history and religion. The “big reveal” at the end of the novel was disappointing (and pretty obvious) and, I thought, added very little to the story. I liked the back and forth between the 13th century history and the 20th and thought Vassanji wove mythology and history together well.
The Lion, the Witch, and the Wardrobe by C.S. Lewis
This was obviously a re-read for me. While Pearl has many board books and I do read them to her, at her young age, the thing she enjoys most is simply hearing my voice and being held. So I figured I’d read her something more enjoyable for me. At least until she’s a little older. So we’ve started in on The Chronicles of Narnia.
The Thousand Autumns of Jacob de Zoet by David Mitchell (Random House, 2010)
I greatly enjoyed this book. I’ve read three books by David Mitchell now and each one has been superbly written. The Thousand Autumns plays with format and timelines less than Cloud Atlas or The Bone Clocks. Mitchell does do well with alternating narrators though and through multiple characters tells a compelling story of a time and place in history that I was very unfamiliar with – Dutch trade in Japan during the late 18th century. While Japan was extremely closed off to the rest of the world during this time period, a few foreign traders were allowed onto a small island called Deshima. Mitchell uses this setting to explore ideas of foreignness, home, and imprisonment. I appreciated how he told the story from a Dutch and Japanese perspective, giving weight to both sides and demonstrating both how similar and different humans can be. The story does veer towards the unbearably creepy at one point with a hint of the fantastical that Mitchell uses in his other novels but this one’s definitely a historical novel rather than a fantasy one.
What We Talk About When We Talk About Love by Raymond Carver (Vintage Books Edition, 1989)
I’d read a few of these short stories before – it’s hard to get out of any sort of University literature-related degree without reading the title story from this collection. Carver is one of those writers that I appreciate but when I sit down and read a whole body of his work, I find him very bleak. (I have the same problem with Alice Munro, actually.) These are stories of dying love, relationships ended. Carver’s style is very spare, rather stark. I found myself reminded occasionally of Hemingway, though I think Hemingway does description much better.
Small Island by Andrea Levy (Review, 2004)
This book suffers from a front cover problem. By which I mean the front cover has never appealed to me, to the point of putting me off from reading the novel for years. (I know, you’re not supposed to judge a book by its cover but, let’s face it, we all do.) Fortunately for me, I finally looked past the boring cover and read the book. The main action of the novel takes place in London, in 1948, amidst the changing norms and social constructs of a post-war nation. There are also substantial flashbacks – before the war in both England and Jamaica, and some scenes set during World War II, both in England and overseas. Levy does an excellent job of maintaining third person narration while moving between characters. Voice is also terrific as she captures the sounds of Jamaican English. (There’s a continuing theme of Jamaican characters not being understood by the English that heartbreakingly captures the struggle of immigrants.) This is a book about race but it’s also about longing, a search for something bigger, and about ignorance – both chosen and accidental.
The Cost of Discipleship by Dietrich Bonhoeffer
Prince Caspian by C.S. Lewis
Birdsong by Sebastian Faulks
4 thoughts on “What I Read – April 2015”
Oh! I am so excited that you read “What We Talk About When We Talk About Love” by Raymond Carver. Packed-full of brilliance. Spare, for sure (a lot of it had to do with his editor cutting, cutting, cutting…).
I’ve had The Assassin’s Song sitting on my bookshelf for years. I love his lyrical style, but the book got mixed reviews. After your review… I’m still on the fence.
Thanks for sharing. Looking forward to hearing about Birdsong next month.
I really think I would have enjoyed the Vassanji more if I’d been able to sit down and read it in a few sittings. But then how often does anyone have time for that!
I’m really liking Birdsong so far!
I’m also re-reading Narnia at the moment – well, listening to the audio versions, at least. Some top actors have done the narration and they’re very good, but I’m sure little Pearl enjoys her mom’s interpretation much more… 🙂
When I was a kid we had Narnia on cassette tape and listened to it on car trips and I still hear that narrator’s voice in my head when I read certain parts!