
This collection of short stories focuses primarily on adolescent girls. The stories are compelling and readable and not at all familiar with my experience of being a teenage girl. Which isn’t to say that they don’t ring true but by the time I got to the end of the collection, it felt like the intensity of the stories as a whole was a bit artificial.
These are young girls with a lot of life experience. There is violence, sex, drug use, guns, death. And while no one story feels over the top, all together it kind of does. In the end, this is probably a story collection best read with long breaks in between each story.
Many of the stories are told from – and feel like they’re told from – an adult perspective. There is an omniscience and distance from the events themselves that feels more adult. Even the first person stories lack the chaotic urgency of a teenager relating something traumatic that happened to them. For the most part, I appreciated this and Orringer makes it work. She does play with form a little, including one story in the second person. (Not my favourite narration or my favourite story but I appreciate the effort.) The stories have a sort of feeling of an adult wishing they could go back and warn their younger self. And after all, isn’t that something we’ve all wished we could have done?
[…] 54. How to Breathe Underwater – Julie Orringer (Vintage, 2003) […]