This novel was first published in 1749; my copy from the library clocked in at 801 pages (before the notes). It follows the life and adventures of Tom Jones from the moment he is found in the bed of Squire Allworthy. Allworthy is as shocked as any of us might be to find a baby we were not previously familiar with when we lay down to sleep and despite believing little Tom to be the illegitimate child of a servant girl and a school teacher, he adopts him and raises him as his own. Allworthy is generous and caring and Tom grows up alongside Allworthy’s nephew, Master Blifil. As a young man, Tom is generous, altruistic, very handsome, and careless. He’s rather naive and very impulsive, driven by his passions, and before we know it Allworthy has been convinced of the worst of Tom and banishes him completely.
Tom has also fallen in love with the beautiful Sophia, daughter of Squire Western. Although he accepts that he is unworthy of her (largely because his unknown parentage) he can’t help expressing his love when he learns that she also cares for him. Banished by Allworthy, Tom heads out for adventure, getting into more and more trouble until he reaches London. In the meantime, Sophia has also fled her home. After her father insists she must marry Blifil, she refuses and flees in the night with her maidservant, also headed for London. Sophia and Tom almost cross paths multiple times in their flights, both ending up in London where a comedy of errors and multiples complicated characters create more difficulties for them until they reach their inevitable happy ending.
It is my personal opinion that any book over 500 pages could be edited down with no great loss and Tom Jones did not change my mind. I particularly struggled in the middle of the book while Tom and Sophia bumbled around England, going from inn to inn and having misunderstandings. The landlords and landladies all started to sound the same and the comic situations Tom got into, along with his erstwhile companion, a man named Partridge, just weren’t that funny to me. Your mileage may vary. This part reminded me a bit of Don Quixote and his travels, which I also thought lagged a great deal.
The book is also, obviously, very much a product of its time and the social norms of the 18th century aren’t always easily understood for this 21st century reader. Tom, for example, has sex with multiple other women, even after professing his love for Sophia, but Sophia is far more upset when she thinks he has spoken her name out loud in a public house. Sophia herself is rather a weak character. While her running away and refusing marriage is certainly a bold act for a woman of her time, on the whole she doesn’t have much depth. She’s beautiful and gentle and well-mannered and at one point the narrator praises her because she would never do anything as awful as enter into a debate or be witty while in conversation with a man.
At the same time, the book is also surprisingly funny at times. In many sections, Fielding is so astute about human nature and clever in what he recognizes about people, it was a delight to realize how little people have changed in their fundamental nature since the 1700s. Yes, the story lagged for me, but overall I found it much more readable than I expected.
I read Tom Jones as the first book in my Virtuous Reading Challenge, inspired by Karen Swallow Prior’s On Reading Well. Swallow Prior chose Tom Jones as the book to highlight the virtue of prudence. She describes prudence as “wisdom in practice.” While I initially thought the character of Tom embodied more of a “what not to do” when it came to prudence, I can see that Tom Jones is actually the story of a young man developing prudence. Tom’s problems, his estrangement from Sophia and Squire Allworthy, come from his lack of prudence. He is good-hearted but he trusts the wrong people. He lacks an ability to judge the right behaviour in the right moment. (And it should not be lost on the reader that his love’s name literally translates to “Western Wisdom”.) Both Tom and Sophia are young people surrounded by others who wish to tell them how to live. It is up to them to decide which voices to listen to and which path to follow. While Sophia seems to have a better innate understanding of wisdom, Tom struggles and it is because he lacks prudence that he comes close to tragedy. As he seeks out better people and more thoughtful actions, he grows closer to being a man worthy of Sophia and discovering who he truly is.
14 thoughts on “Book Review: Tom Jones by Henry Fielding”
Even books that I love that prove super long have these bloated sections that I wish were cut. With David Copperfield, which is a treat, there were sections that I swear Dickens added to his serial just to make some political commentary about the time and have nothing to add to David’s life. I wonder if such bloated sections exist in this book for a particular reason that makes sense in the time it was written.
Was that one where Dickens got paid by the word? I definitely noticed some bloating in Bleak House! As for Tom Jones, I don’t know enough to say if the book would have been more meaningful to a contemporary audience but I wouldn’t say there was much political commentary. Each of the 18 books it is divided into begins with a chapter that is essentially an essay by Fielding on a topic of his choice and I found I could skim or skip those without hindering my understanding because they had nothing to do with the plot.
Haha, I believe the rumor that Dickens was paid by the world was a joke because his stories could get so very long.
I double checked and he was paid by installment (not by the word, I was wrong!) for some of his serial novels. So there was definitely incentive to stretch out the plot!
Hmm, you haven’t convinced me that this one is unmissable! I don’t mind a really long book if it’s got a strong enough story to keep me engaged, but this sounds as if it’s just stretched out to fill the space. An argument for abridgement?
No, I wouldn’t be able to argue that anyone absolutely has to read this! Some of the side plots are enjoyable; near the end of the book Jones helps a friend’s romantic struggles and I found that fun to read, but there’s plenty that could be cut out. In general, I don’t love characters that are simply there to be quirky and cause misunderstandings so parts that might be funnier to others were tedious to me. I would watch a movie version though!
I loved Tom Jones, but agree with your idea that any book over 500 pages could probably be edited!
I would like to offer a resounding ‘YES’ to your belief that no book should be longer than 500 pages!!! Absolutely, and most readers won’t stay interested for that long anyway. I always find that the longer an author has had a successful career, the longer their books become, and my theory is that their editors are too afraid to force them to shorten it b/c they’ve been successful in the past.
That’s a good point! An author with a strong following will still sell books but it’s hard to get new readers on board when your books start to be 500+ pages!
I would be shocked if a publisher agreed to publish a debut author at over 500 pages, talk about an uphill battle…
I can’t even think of an example!
[…] Tom Jones – Henry Fielding (Barnes & Noble Classics, 2004) […]
[…] Tom Jones – Henry Fielding […]
[…] Tom Jones – Henry Fielding (Barnes & Noble Classics, 2004) […]